
Dante and Virgil at the Entrance to Hell, Edgar Degas
Medium: oil,canvas

Anyone who has half-woken up to the sound of a train or an ambulance in a nocturnal city, and through his/her sleep experienced the space of the city with its countless inhabitants scattered within its structures, knows the power of sound over the imagination; the nocturnal sound is a reminder of human solitude and mortality, and it makes one conscious of the entire slumbering city. Anyone who has become entranced by the sound of dripping rain in the darkness of a ruin can attest to the extraordinary capacity of the ear to carve a volume into the void of darkness. The space traced by the ear in darkness becomes a capacity sculpted directly in the interior of the mind.

Exhibition poster for Hermann Nitsch’s Orgies mysteries theatre, not after 1978 Apr. 08. Los Angeles Institute of Contemporary Art records, 1973-1988. Archives of American Art, Smithsonian Institution.